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Pinoy rock
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Pinoy Rock, or Filipino Rock, is the brand of Rock music produced in the Philippines or by Filipinos. It has become as diverse as the Rock music genre itself, and bands adopting this style are now further classified under more specific genres or combinations of genres like Alternative Rock, Ethnic, Metal, New Wave, Pop Rock, Punk Rock, Reggae, Heavy Metal and Ska. Because these genres are generally considered to fall under the broad Rock music category, Pinoy Rock may be more specifically defined as Rock music with Filipino cultural sensibilities.

History

One of the first popular Filipino rock stars was Bobby Gonzales, whose major hit was "Hahabul-Habol." Eddie Mesa, another teen idol from the period, became known as the "Elvis Presley of the Philippines." Back then, many Filipinos referred to Rock bands as "combos," many of which used nontraditional instruments like floor-bass bongos, maracas, and gas tanks.

Enlarge picture
One of the early combos of the 60's, fronted by Pinoy rock icon and business mogul, Ramon "RJ" Jacinto.

1960s

In the early 1960s, as electric instruments and new technology became available, instrumental American and British bands like The Shadows and The Ventures flourished. Filipino instrumental bands arose as well in this period; bands like The Deltas, The Celtics, RJ & the Riots, The Technicolors, The Downbeats, The Hi-Jacks, and The Electromaniacs. These bands spawned the first Filipino singer-songwriters.

In 1963, the so-called British Invasion brought bands like The Beatles to mainstream audiences worldwide. Their widespread popularity and their embrace of the counterculture injected the possibility of socio-political lyrics with mature comments on real life into popular music. Immensely influenced by this new breed of British artists, many Filipino bands began adopting similar musical styles; and this produced acts like Downbeats, Tilt Down Men, The Moonstrucks, The Dynasouls, and Bits & Pieces. Some groups enhanced their style by adding unconventional instruments like a horn-and-brass section, trumpet, flute, and saxophone. Examples of such bands included Drop Outs, The Howlers, The Originals, The Houserockers, Clubmen, and The Imperials.

In the late 1960s, the onset of the Woodstock generation brought about bands like Crosby Stills Nash & Young, Jimi Hendrix Experience, Chick Corea Return to Forever, Mahavishnu Orchestra, The Who, and others in this frontier such as Ten Years After, Iron Butterfly, Led Zeppelin, Joe Cocker and The Mad Dogs & Englishmen, to audiences worldwide. This brought about the rock culture that still heavily influences Pinoy Rock today. This era produced acts like Circus Band, Maria Cafra, Anakbayan, Isang Kilo Band with members Boy Katindig, Pabs Dadivas, Walter Calinawan, Wally Ang, Bambi Borromeo, and Boy Fragante, Psyclones, Makati Avenue Blues Band, John Of The Cross and the Juan Dela Cruz Band to name a few.

1970s

Into the early 1970s, Filipino music was growing more nationalistic and socio-political in nature, as well as using Tagalog more often. Popular or Pop music still dominates the airwaves with artists such as the Apo Hiking Society and Hotdog. The songs like "Ang Miss Universe ng Buhay Ko" (The Miss Universe of My Life) of Hotdog combined Filipino and English words within the same song. This helped innovate the so-called "Manila Sound". OPM (Original Pilipino music) also became popular.

However, emerging social and political consciousness somehow creeped in to the industry with the traditional allied genres that are folk and rock music. Folk musicians included Freddie Aguilar, Asin, Florante. (In 1978, Freddie Aguilar's debut single, "Anak", became the most commercially successful Filipino recording in history. The song became known also in other Asian countries and in Europe). Perhaps Asin, a folk ethnic band, was the first commercial band to successfully brought a pro-environment song to the airwaves with "Masdan Mo Ang Kapaligiran". Also famous for providing subtle rebellious (anti-Marcos dictatorship sentiment was growing at that time) and peace messages behind its skillful vocal harmonizing, Asin gave the masses hits such as "Bayan Kong Sinilangan (Cotabato)", "Balita", and "Pagbabalik".

''DZRJ, home of
Classic Pinoy Rock.


The Juan Dela Cruz Band, a psychedelic blues rock trio consisting of "Godfathers" Pepe Smith, Wally Gonzalez, and Mike Hanopol, are often credited for ushering in the very first "rock & roll revolution" in the Philippines that lasted from the late 60's to the late 70's (also known as the Golden Age of Pinoy Rock). Considered by many to be the "greatest Pinoy Rock band in history", they played a large role in re-awakening national pride through their bluesy Tagalog rock songs, such as "Kagatan" and "Balong Malalim", at a time of English-dominant music in the local scene. During a Woodstock-esque concert in Luneta Park, the group performed the classic anthem "Himig Natin" for the first time and single-handedly changed the face of Pinoy Rock. It was the first of its kind written in the native tongue, yet with all its glory, was said to have been quickly whipped up by a "stoned out" Pepe Smith while inside a public restroom.

Being heavily influenced by the hippie mentality, the bands of the 70's were known to have never been sidelined commercially and sometimes took the center stage by storm. The radio station DZRJ, particularly the AM weekend "Pinoy Rock and Rhythm" show hosted by Howlin Dave, provided the much needed support and publicity to Pinoy Rock during this era.

Today, many music journalists refer to the works of these pioneering artists as Classic Pinoy Rock, perhaps to distinguish them from the works of relatively younger Pinoy Rock bands, especially those that emerged in the 1980s through the 1990s.

1980s

In the early up to mid-1980s, Pinoy Rock became the music of Filipino protesters. Gary Granada and the band Buklod had socially relevant lyrics for their songs. Aguilar's Bayan Ko (My Country) became an anthem during the 1986 EDSA Revolution. A subculture rejected this kind of socially aware lyrics. A Filipino brand of Punk Rock also began to flourish during this period, as led by bands like Betrayed, G.I. & the Idiots, The Jerks, Private Stock, Urban Bandits, WUDS, I.O.V., and The GOONS. Simultaneously, other brands of Pinoy Rock were starting to develop; for instance, Joey Ayala at ang Bagong Lumad (fronted by Joey Ayala) adopted an Ethnic sound, even using indigenous instruments like kubing and kudyapi while Cocojam combined it with Reggae.

Enlarge picture
the late Teddy Diaz, one of The Dawn's founding members.


The most popular Pinoy Rock band in the Philippines in the '80s was arguably The Dawn, whose early songs were largely influenced by New Wave music, the dominant Alternative music genre in the Philippines during that period. The Dawn came to prominence in 1986, when its independently released single "Enveloped Ideas" became an instant favorite among listeners of DWXB-FM 102.7, a now-defunct FM radio station popular in the mid-'80s that heavily played New Wave music and other similar genres.

Many music journalists and enthusiasts, as well as musicians themselves, attribute the flourishing in the mid-'80s of New Wave- and Punk Rock-influenced bands to DWXB-FM, which began playing independently released singles of unsigned local bands. This helped many of the struggling bands in this era to achieve cult status. These bands included Deans December, Ethnic Faces, Identity Crisis, and Violent Playground, all of which were able to record and release their respective albums in the years that followed.

Other Pinoy Rock groups took their cue from these pioneers and started recording their own songs; and this proved beneficial to the Pinoy Rock scene, which brought back creativity and originality to the awareness of fledgling musicians. Among the lot, The Dawn, The Youth, Afterimage, and Introvoys proved to be the enduring and more successful. Each was able to sustain a relatively long career.

DWXB-FM went off the air on June 9, 1987. The new Cory Aquino-led government began sequestering properties owned by her predecessor Ferdinand Marcos and his cronies, including the home that DWXB-FM beamed from. DWXB-FM was revived as an online radio station on September 10, 2005, by Sutton Records, with the original DJs broadcasting from Manila.

1990s

Introvoys and After Image were among the prominent bands in the early 1990s; but their popularity were later overshadowed by younger bands that eventually emerged. Radio station LA 105.9 had advocated Filipino rock music, encouraging original amateur (even if poorly recorded) singles and gave new avenues for emerging bands.

The band that stood out of the amateur clutter was Eraserheads, which to this day many Filipino music enthusiasts regard as the Pinoy rock icon of the 1990s. In 1993, with the release of Eraserheads' first commercially released album, Ultraelectromagneticpop, a new type of Pinoy rock emerged and many Pinoy rock bands followed their lead. Rivermaya, another Pinoy rock icon, also emerged, further injecting pop sensibilities to rock music, making rock more accessible to the general public. It was also in this period when NU Rock Awards was born. Socially relevant lyrics persisted as well, as exemplified by the band Yano, whose lyricism dwelled mostly on social and political issues.

The commercial success of Eraserheads paved the way for more Pinoy Rock acts getting signed in major labels and gaining more exposure. These bands adopted a variety of influences both in image and music; many fell under a particular genre; however, crossing over of styles is most often inevitable.

Among the 80's Metal and Classic Rock-influenced bands that emerged, most successful were Wolfgang, P.O.T., and Razorback, recognized for their songwriting prowess, technical abilities, and extended live performances.

Siakol and Pinoy humor masters Parokya ni Edgar, meanwhile, popularized Alternative Pinoy Rock, with their albums "Tayo Na Sa Paraiso" and "Khangkhungkherrnitz", respectively.

Though less mainstream, notable acts who showed the diversity of Pinoy Rock during this time included the hard rock-inspired Mutiny, socio-political rockers Datu's Tribe, goth metal-influenced Dahong Palay, and New Wave torch bearers Half Life Half Death.

The 90's also introduced OPM into the international spotlight, as the Eraserheads won the MTV Video Music Award for Best Asian Artist in 1996 and spawned the internationally released album Aloha Milkyway.

rise of NU 107.


Emerging from the early nineties as well was the underground gothic scene. Most notable in spearheading and enduring this genre was gothic rock visionaries, Dominion. Followed later by contemporaries like, Prominence of Cathedrals, Iconoclast and much later by the industrial act Apparition. Although gaining quite a considerable following among the Filipino youth, the Pinoy goth scene remains to be relatively marginalized from the mainstream, with Subkulture, a goth culture-focused production label, acting as main source of goth events and music.

In the late 1990s, with the rise in popularity of nu metal bands Korn and Limp Bizkit, local bands followed suit. These acts include Greyhoundz, Cheese, Slapshock and Chicosci.

Enlarge picture
the Itchyworms, continuing on the 'alternative' sound of the 90's.

2000s

In the early 2000s with Hip hop, Acoustic and R&B influenced bands dominated the Philippine music scene, causing Pinoy Rock to take the backseat. Only a number of Pinoy Rock bands had managed to stay in the mainstream during this period; artists like Sandwich, Slapshock, Rivermaya, Parokya Ni Edgar, Barbie's Cradle and Moonstar 88.

In 2004, Pinoy Rock once again slowly gained prominence, with the rise of another wave of Pinoy Rock bands. Alongside durable '90s veterans like Rivermaya and Parokya ni Edgar, the following artists all gained prominent exposure:Bamboo, Kapatid (headed by ex-P.O.T. frontman, Karl Roy), Kitchie Nadal,Sugar Free,Itchyworms,Kamikazee, Kjwan, Barbie Almalbis, Pupil (headed by ex-Eraserheads frontman, Ely Buendia), and The Pin-Up Girls who was tagged as the first Filipino Rock band to be signed by a U.S. label; their EP, Taste Test, hitting no. 1 on a New Jersey-based radio station.

It was also during this time that the Pinoy Rock music scene in Cebu was finally given its much-needed exposure. The blossoming "Bisrock" music scene gave rise to forerunners Urbandub, Junior Kilat, Faspitch, and Sheila & the Insects.

2004 also saw the emergence of the first Philippine virtual band, Mistula. With the internet as their stage, Mistula comes alive through their official website, a fusion of music, graphic art, literature, photography and other art forms, taking Pinoy Rock to a whole new playing field.

2005 further ushered in the mainstream buzz on Pinoy Rock, and along with it bands who leaned more towards pop sensibilities. During this time, Pinoy Rock, more than ever, gained mainstream exposure, with bands like Callalily, Hale, Sponge Cola, Orange and Lemons, 6CycleMind, and Cueshe.

2005 also marked the year when tribute concerts and albums for various Pinoy Rock icons were produced: ranging from the Eraserheads, (Ultraelectromagneticjam), the APO Hiking Society (Kami nAPO muna), and bands of the 'Manila sound' era ().

The year 2005 also saw the emergence of influential music venues such as Cafe Saguijo and Gweilos, in addition to the myriad of venues in the Philippines, such as Mayric's, 70's Bistro, Freedom Bar, 19 East, Dish, , Kolumn, Mai Yuchi, Wilfredos, Saguijo, Caliente, A-Venue, Xaymaca, Pulp Summer Slam and NU 107 Summer Shebang to name a few. In the United States of America where the Fil-Am Rock Scene burgeons, venues are slowly but surely recognizing the presence of Pinoy Rock.

Legacy

In the passage of time and many musical styles in the Philippines, the term Pinoy Rock has become as diverse as the Rock music genre itself. Today, many music journalists and music enthusiasts regard Pinoy Rock as the brand of Rock music originating in the Philippines. And just like the Rock music genre itself, it may be further classified into more specific genres of music.

External links

Rock music is a form of popular music with a prominent vocal melody accompanied by guitar, drums, and bass. Many styles of rock music also use keyboard instruments such as organ, piano, or synthesizers.
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91,077,287 (2007) [1]
Regions with significant populations
Significant overseas populations
Note: No data available on number of Filipino descendants in Southeast Asia-Pacific, Latin America, China and Spain

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Alternative rock (also called alternative music or simply alternative; known primarily in the UK as indie) is a genre of rock music that emerged in the 1980s and became widely popular in the 1990s.
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ethnic group or ethnicity is a population of human beings whose members identify with each other, usually on the basis of a presumed common genealogy or ancestry.[1] Ethnicity is also defined from the recognition by others as a distinct group[2]
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The Macro Expansion Template Attribute Language complements TAL, providing macros which allow the reuse of code across template files. Both were created for Zope but are used in other Python projects as well.
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New Wave was a rock music and pop genre and movement that existed during the late 1970s and the early-to-mid 1980s. In those days, many music groups were inspired by punk rock and used elements of other genres, such as electronic music, reggae, and ska.
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Pop rock is a subgenre of rock music that uses "catchy" pop style, with light lyrics over top of "guitar-based" songs.
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Reggae is a music genre developed in Jamaica in the late 1960s.

The term 'reggae' is sometimes used in a broad sense to refer to most types of Jamaican music, although the word specifically indicates a particular music style that originated after the development of ska and
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Heavy metal (sometimes referred to simply as metal) is a genre of rock music[1] that developed in the late 1960s and early 1970s.[2] With roots in blues-rock and psychedelic rock, the bands that created heavy metal developed a thick, heavy,
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SKA may refer to:
  • Ska, a style of music
  • Ska-P, a Spanish ska punk band.
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Who are "teen idols?"

Teen idols are usually actors or pop singers, but some sports figures have had an appeal to teenagers. The term encapsulates both some of the greatest performers of all time and some of the most inconsequential.
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Bongo may refer to:
  • Bongo (antelope), a species of forest antelope from Africa
  • Bongo drum, a percussion instrument
  • Um Bongo, a British fruit drink marketed at children
  • A generic term for truck in Asia including:

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Maraca is also a genus of tarantula.


Maracas ( , sometimes called rhumba shakers
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For their eponymous album, see The Shadows (album).


The Shadows are an English instrumental and vocal rock and roll group active from the 1950s to the 2000s.
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The Ventures are an American instrumental rock band formed in 1958, by Don Wilson and Bob Bogle, two Seattle masonry workers. They have also contributed to the surf music genre, though they are not, as popularly believed, a strict surf band.
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Singer-songwriter is a term that refers to performers who write, compose, and sing their own material including lyrics, melodies, often providing the sole accompaniment to an entire composition or song.
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worldwide view.


The British Invasion was the term applied by media - and subsequently by consumers - to the influx of rock and roll, beat and pop performers from the United Kingdom who became popular in the United States, Australia & Canada.
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The Beatles were an English musical group from Liverpool whose members were John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They are one of the most commercially successful and critically acclaimed bands in the history of popular music.
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trumpet is a musical instrument in the brass family. The trumpet has the highest register in the brass section; a standard B flat trumpet has a range comparable to the B flat cornet, a piccolo trumpet is an octave higher.
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flute is a musical instrument of the woodwind family. Unlike other woodwind instruments, a flute produces its sound from the flow of air against an edge, instead of using a reed.
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The saxophone (colloquially referred to as sax) is a conical-bored instrument of the woodwind family.

It is usually made of brass and played with a single-reed mouthpiece like the clarinet.
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The Originals consisted of bass singer Freddie Gorman, baritones Walter Gaines and C.P. Spencer, and tenors Ty Hunter and Henry Dixon. They were a successful Motown R&B and soul group during the 1960s and 1970s, most notable for the hits "Baby I'm For Real", "The Bells" and the
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This article is about the Gospel/Contemporary Christian Music group The Imperials. For information on the doo wop group, see Little Anthony & the Imperials.


The Imperials are an American gospel music group.
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Crosby, Stills & Nash, also Crosby, Stills, Nash & Young when including occasional fourth member Neil Young, are a folk rock/rock supergroup. The band is known for their distinctive vocal harmonies and activist politics, and have a strong association with the segment of
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The Jimi Hendrix Experience was a highly influential, though short-lived, English/American rock band famous for the guitar work of frontman Jimi Hendrix on songs such as "Purple Haze", "Foxy Lady", "Fire", "Hey Joe", "Voodoo Child (Slight Return)", "All Along the Watchtower" and
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The Mahavishnu Orchestra was a jazz-rock fusion group that debuted in 1971 and dissolved in 1976 and reunited briefly from 1984 to 1987.

First Mahavishnu Orchestra


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The Who are an English rock band that first formed in 1964, and grew to be considered one of the greatest[1] and most influential[2] bands in the world.
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Ten Years After are an English blues rock band, most popular in the late 1960s and early 1970s.

History

After several years of local success in the Nottingham/Mansfield area as a band known since 1962 as The Jaybirds (its core was formed in late 1960 as Ivan Jay and the
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